Cornell University Library Digital Collections

Studio 4, Undated

Title:
Studio 4, Undated
Collection:
Punk Flyers
Date:
Undated
Location:
San Francisco, California
Venue 1:
Studio 4
Address 1:
2702 18th St.
Identifier:
RMM08107_0893
Work Type:
fliers (printed matter)
Subject:
Punk rock music
Sabot
Haggis Mountain
Breakdown
Valerie Statler
Tommy Strange
Peter Plate
Mark Sperry
High Risk Group
Two Girls Bored Out of Their Skulls
Barbara Szbgen
Chuck Sperry
Note:
Record release party
Cite As:
Aaron Cometbus Punk and Underground Press Collection, #8107. Division of Rare and Manuscript Collections, Cornell University Library.
Repository:
Division of Rare and Manuscript Collections, Cornell University Library
Archival Collection:
Aaron Cometbus Punk and Underground Press Collection
Box Number:
10
Folder Number:
18
Rights:
These images are made available for non-profit, educational use. These works are protected by copyright, and permission and possible fees may be required from the owners of any copyright independently of the Library. It is the researcher's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in this collection. Researchers must make their own assessments of rights in light of their intended use.  If you have any more information about an item you've seen on our website or if you are the author or copyright owner and believe our website has not properly attributed your work to you or has used it without permission, please contact the Division of Rare and Manuscript Collections with your contact information and a link to the relevant content.

About the collection

Cometbus: Flyers, posters, magazines, files, and zines relating to American punk and alternative culture collected or created by Aaron Cometbus, including his own work as a writer and musician. The archive contains hundreds of fanzines and small magazines, plus cassette tapes and original manuscripts and paste-ups for Cometbus and related publishing and distribution records. Board games, business cards, set lists, and venue histories provide a personal, behind-the-scenes view of punk both as music and as a movement, from 1980 to the present.